Perceptions of Indigenous Americans Within 20th Century Performance

File(s)
Date
2024-04Author
Van Dornick, Keith
Bauer, Jordan
Advisor(s)
Peters, Gretchen
Metadata
Show full item recordAbstract
Performative media in Western culture cannot be accurately represented without inclusion of the works and perceptions of marginalized groups. This presentation seeks to understand 1) what aspects of Indigenous peoples’ lives led to their involvement in Western performance culture and 2) how these representations helped to solidify contemporary biases related to Indigenous culture. Rather than a generalized history of a group of people, this project focuses on the lived experiences of specific individuals; this information was gathered from decades of Midwest-based newspapers. Interviews, performance projects, and other information concerning the performances of Chief Caupolican, Chief Little Moose, and Chief Chibiaboos were collected/cross-examined to construct a more complete picture of Indigenous performers (especially those from the Midwest) during the early 20th century. Our research hopes to shed light on the how. How did the performances of these men reflect stereotypes? How did they challenge cultural stereotypes? How did their early lives aid in their success as performers?
Subject
Indians of North America
Performance art
Peake George C., 1883-1955
Barrangon Emile, 1876-1968
Posters
Department of Music and Theatre Arts
Permanent Link
http://digital.library.wisc.edu/1793/94431Type
Presentation
Description
Color poster with text, images, and photographs.