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    Biomorphic reality 

    Carr, Erin (University of Wisconsin--Stout. Research Services, 2015-04)
    The motivation for my work stems from my desire to create serenity and beauty within the repetition, balance, rhythm, and attention to detail in my structures. By mentally manipulating cellular form to challenge its ...
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    Unfixing agency 

    Niebur, Rachel (University of Wisconsin--Stout. Research Services, 2015-04)
    In my work, I strive to combine conceptual bricolage and drawing by using different and sometimes unrelated ideas and systems that I possess to create drawings. This often requires calling upon physical objects and subjects ...
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    Northern Exposures 

    Clark, Jordan (University of Wisconsin--Stout. Research Services, 2015-04)
    This body of work draws from real spaces, nature, and the process of applying paint. This leads to me to consider spaces outside and inside, natural phenomena, time, and movement.
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    Reconfiguration 

    Russell, Mia (University of Wisconsin--Stout. Research Services, 2014-04)
    With an initial concept and visual in mind, each finished work transforms from what I imagined or intended to express at the start. I work in a series of layers, responding to each layer as I consider how each decision ...
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    Projections 

    Nimmer, Raine (University of Wisconsin--Stout. Research Services, 2016-04)
    Lost objects intrigue me. Lost objects have been tossed aside by someone who had assumed they were useless, while others were unknowingly dropped on the sidewalk or street. Some were deliberately thrown into the trash ...
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    Acquired narcissism 

    Peterson, Darcy Mae (University of Wisconsin--Stout. Research Services, 2015-04)
    My work necessitates experience—the interactivity of the viewer and the piece. One must get physically involved in order to understand. If there is no engagement, if the trigger is not set off, one has no way of ...
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    Trespass 

    Martin, Robert (University of Wisconsin--Stout. Office of Research and Sponsored Programs, 2017-04)
    Drawing has the power to construct such an honest relationship between artist and observer. In its traditional and most foundational sense, drawing is an observational and communicative assembly of mark-making. Drawing ...
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    Cutting edge sentiment 

    Saeger, Rachel (University of Wisconsin--Stout. Research Services, 2014-04)
    The nature of cultural changes over time, in a broad sense, is where my work originates. My initial investigations have stemmed from my experiences working in long-term memory care and have generated ideas regarding ...
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    Discrete 

    Lee, Karlaya (University of Wisconsin--Stout. Research Services, 2016-04)
    A colleague once described my work as “sophisticated glitter.” The idea that glitter, which is a cheap material and considered kitsch, may be transformed into sophistication, has compelled me to create works of art ...
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    Skin deep 

    McHenry, Carley (University of Wisconsin--Stout. Research Services, 2014-04)
    Through figurative narratives, my paintings illustrate elements of the human experience. Specifically, my work brings attention to the disconnect between human beings and their physical and psychological existence. Using ...
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    AuthorCarr, Erin (1)Clark, Jordan (1)Lange, Tiffany (1)Lee, Karlaya (1)Martin, Robert (1)McHenry, Carley (1)Niebur, Rachel (1)Nimmer, Raine (1)Olson, Hannah (1)Peterson, Darcy Mae (1)... View MoreSubject
    art and design (14)
    College students' art--Wisconsin--Menomonie (14)sculpture (6)studio art (5)acrylic paintings (3)multimedia works (3)oil paintings (3)drawings (2)painting (2)Art and architecture (1)... View MoreDate Issued2014 (4)2015 (4)2016 (4)2017 (2)Has File(s)Yes (14)

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