Room for Everyone: The Practical Application of Standards Based Grading in the Choral Classroom

File(s)
Date
2021-12Author
Barker, Josh
Publisher
College of Fine Arts and Communication, University of Wisconsin-Stevens Point
Advisor(s)
Brashier, Rachel
Metadata
Show full item recordAbstract
Utilizing Grounded Theory based in phenomenology this study attempts to answer the question “Why should music educators use reassessment practices in their ensembles and how does it work utilizing a standards-based grading model?” This study focuses on the student’s perspective of transitioning to a standards-based grading model in the choral classroom, specifically asking the students if they believe using this method benefited them as students of music and if they preferred the method of assessment over previous forms of grading done in the music classroom and core classes. The students responded positively to the standards-based grading model and most students believed the system worked in their best interest. The student responses were coded using a Grounded Theory method of initial coding, sub-theme coding, and major theme coding over three rounds of analysis. The data analysis revealed three major themes resulted from the student's answers to a Likert Scale questionnaire and a focus group with a smaller sample of volunteers. The participants revealed that the three areas that were most impactful as a result of using standards-based grading were: 1) Clear Communication from the Teacher, 2) Student growth mindset, and 3) Room for Everyone (Differentiation).
Subject
Assessment
Choral Music
Grading Methods
Reassessment
Standards-based grading
Student improvement
Music Education
Permanent Link
http://digital.library.wisc.edu/1793/82597Type
Thesis