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dc.contributor.authorFrancisco, Jason
dc.date.accessioned2009-10-02T18:07:32Z
dc.date.available2009-10-02T18:07:32Z
dc.date.issued1994
dc.identifier.urihttp://digital.library.wisc.edu/1793/37042
dc.descriptionv, 297 leaves : ill. ; 29 cm.en
dc.description.abstractContents include: selected photographs from the colonial archive; segueway into the dialogues; Talbot, Alberti and the origins of photographic idolatry; Maimonides and the contribution of Jewish iconoclasm; elements of photographic form; elements of referential photographic realism; photographies of stillness and quickness, institutional and personal authorization, Marxist iconoclasm; postmodernism, disappointed idealism, fascism; general considerations on the colonial archive; anthropological imagery of the colonial archive; studios and snapshot imagery of the colonial archive; and journalistic imagery of the colonial archive.en
dc.language.isoen_USen
dc.titleThe iconoclastic eye and the live image : toward a critique of photography in colonial Indiaen
dc.typeThesisen
thesis.degree.disciplineSouth Asian Studiesen


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