Literal and Symbolic Cyclic Form in Debussy's Sonata for Flute, Viola, and Harp.

dc.contributor.advisor	Don, Gary W.
dc.contributor.author	Stagg, Christiane
dc.date.accessioned	2009-09-22T20:25:23Z
dc.date.available	2009-09-22T20:25:23Z
dc.date.issued	2009-04
dc.identifier.uri	http://digital.library.wisc.edu/1793/36795
dc.description	Color poster with text, portrait, and music.	en
dc.description.abstract	In his Sonata for Flute, Viola, and Harp, Claude Debussy presents the listener with a fascinating handling of cyclic form. This skillful manipulation is seen not only in the literal return of the opening musical material, but also extends symbolically into Debussy's own irretrievable past.	en
dc.description.sponsorship	University of Wisconsin--Eau Claire Office of Research and Sponsored Programs.	en
dc.language.iso	en_US	en
dc.relation.ispartofseries	USGZE AS589	en
dc.subject	Cyclic form (Music)	en
dc.subject	Debussy, Claude, 1862-1918. Sonatas, flute, viola, harp	en
dc.subject	Debussy, Claude, 1862-1918--Criticism and interpretation	en
dc.subject	Posters	en
dc.title	Literal and Symbolic Cyclic Form in Debussy's Sonata for Flute, Viola, and Harp.	en
dc.type	Presentation	en